, 2000a, Baroque and classical aesthetic visions, in A. Tymieniecka (ed.), The aesthetic discourse of the arts, Dordrecht, Kluwer, pp. 179-187.
, 2000b, Enchantment in baroque festive court performances in France: Les plaisirs de l’isle enchantée, in M. Kronegger & A. Tymieniecka (eds.), The aesthetics of enchantment in the fine arts, Dordrecht, Kluwer, pp. 305-320.
, 2000c, Images of water and the sea in Tristan L'hermite's "La mer" and in painting, in M. Kronegger (ed.), The orchestration of the arts — a creative symbiosis of existential powers, Dordrecht, Kluwer, pp. 241-254.
, 1998a, L'inconnu sur la terre: Harmony and the sacred, in M. Kronegger & A. Tymieniecka (eds.), Life, Dordrecht, Kluwer, pp. 393-406.
, 1998b, The smile of the mind: from Molière to Marivaux, in A. Tymieniecka (ed.), Enjoyment, Dordrecht, Kluwer, pp. 43-56.
, 1996, Le Clézio's "L'inconnu sur la terre": Man, nature, creativity and cosmology, in A. Tymieniecka & M. Kronegger (eds.), Life: the human quest for an ideal, Dordrecht, Springer, pp. 133-146.
, 1995, Heaven: Val-de-grâce, Molière's "La gloire du val-de-grâce" and Rotrou's "Le véritable Saint Genest", in A. Tymieniecka (ed.), The elemental passion for place in the ontopoiesis of life, Dordrecht, Kluwer, pp. 353-366.
, 1994a, Le véritable Saint Genest creativity and the movement from the profane to the sacred, in A. Tymieniecka (ed.), From the sacred to the divine, Dordrecht, Kluwer, pp. 195-208.