David L. Mosley


, 1994a, Gustav Mahler's "Ich bin der Welt abhanden gekommen" as song and symphonic movement: Abudction, over-coding, and catachresis, in A. Tymieniecka & M. Kronegger (eds.), Allegory old and new, Dordrecht, Springer, pp. 293-301.

, 1994b, Music and language in Joyce's "The dead", in A. Tymieniecka (ed.), Allegory revisited, Dordrecht, Kluwer, pp. 191-199.